Konto erstellenAnmelden

Frühere Suchanfragen

Keine früheren Suchanfragen

Suchoptionen

Nur verfügbar, wenn angemeldet.
social.anoxinon.de ist einer von vielen unabhängigen Mastodon-Servern, mit dem du dich im Fediverse beteiligen kannst.
Die offizielle Mastodon Instanz des Vereins Anoxinon e.V.

Verwaltet von:

Serverstatistik:

1,1 Tsd.
aktive Profile

social.anoxinon.de: ÜberProfilverzeichnisDatenschutzerklärung

Mastodon: ÜberApp herunterladenTastenkombinationenQuellcode anzeigenv4.3.7

#collection

20 Beiträge12 Beteiligte3 Beiträge heute
Öffentlich
Swaantje Güntzel
SEASCAPE I / Nordfrieslandmuseum Husum

This is the first work I produced within my ongoing series "SEASCAPES" in 2020.

Portrait staged in front of a seascape without title by Karl Rohwedder-Ruge (1865-1940), dated on the first third of the 20th century. The painting is part of the collection of Nordfriesland Museum. Nissenhaus Husum. The artist is surrounded by single use plastic items typically found in public space.

[Swaantje Güntzel, SEESTÜCK I / Nordfrieslandmuseum Husum, 2020, Diasec, 80 x 120 cm]

Foto: Henriette Pogoda

#art #conceptualart #contemporaryart #kunst #konzeptkunst #zeitgenössischekunst #nordfrieslandmuseum #husum #karlrohwedderruge #seestück #seestücke #seascape #seascapes #museum #collection #oilpainting #painting #paintings #northsea #nordsee #photography #fotografie #henriettepogoda #waste #marinedebris #littering #singleuseplastic #coffeetogo #takeaway #fastfood #müll #plasticbag #plastiktüte #plastikflasche #plasticbottle #swaantjeguentzel #swaantjegüntzel #strabd #beach #waves #wellen #einwegplastik #caprisonne #caprisun #durstlöscher #navydress #goldrahmen
#goldrahmen
Öffentlich
Rijksmuseum Roulette

Pompeius Occo, Dirck Jacobsz, c. 1531
Pompeius Occo developed into a key figure in the Northern European economy and was one of Amsterdam’s most prosperous residents. From around 1511, he represented the successful banking and trading house of the Augsburg Fuggers in this emerging metropolis. Occo’s portrait expresses the generally prevailing awareness that all worldly prosperity is transient. His left hand rests almost tenderly on a skull.

Purchased with a contribution from the J. Loudon Bequest
oil on panel, h 66.5cm × w 55.1cm
rijksmuseum.nl/en/collection/S
#rijksmuseum #musea #collection #art #mastodonart #mastoart #random

Pompeius Occo, Dirck Jacobsz, c. 1531
Öffentlich
Rijksmuseum Roulette

A Coastal Ruin in Italy, Jan Asselijn, 1640 - 1652
A favourite motif of the Italianates was a small harbour on the Mediterranean Sea with a crumbling quay and a ruin. At right are an African man and a couple of Turkish traders. At the left, a man in northern European clothing gestures out to sea. Overseas trade stimulated an interest for such scenes among Dutch collectors, even though the views were imaginary.

Purchased with the support of the Vereniging Rembrandt
oil on panel, h 54.5cm × w 48cm
rijksmuseum.nl/en/collection/S
#rijksmuseum #musea #collection #art #mastodonart #mastoart #random

A Coastal Ruin in Italy, Jan Asselijn, 1640 - 1652
Öffentlich
Rijksmuseum Roulette

Seven plates from the service of Stadtholder William v, Meissener Porzellan Manufaktur, c. 1772 - c. 1774
These seven plates are from a 435-part service owned by Stadtholder William v of Orange. The service was produced in Meissen between 1772 and 1774, possibly on commission for the Dutch East India Company (VOC). The plates bear scenes of various Dutch cities and buildings, as well as views of Java and Ceylon, then important Company territories.

Purchased with the support of the VriendenLoterij
painting technique, h 3cm × d 24.2cm
rijksmuseum.nl/en/collection/B
#rijksmuseum #musea #collection #art #mastodonart #mastoart #random

Seven plates from the service of Stadtholder William v, Meissener Porzellan Manufaktur, c. 1772 - c. 1774
Öffentlich
Rijksmuseum Roulette

The Lords of Montfoort, anonymous, c. 1400
Four Dutch knights kneel before the Virgin. The first three died in 1345 in the Battle of Warns against the Frisians; the fourth was badly wounded. Behind them stands Saint George, their patron saint. The coats of arms above them show that they belong to the De Rover family of Montfoort. The painting is a ‘commemorative panel’ to honour their memory.

Gift from the H. van der Lee Bequest, Woerden
oil on panel, h 69.5cm × w 142.9cm
rijksmuseum.nl/en/collection/S
#rijksmuseum #musea #collection #art #mastodonart #mastoart #random

The Lords of Montfoort, anonymous, c. 1400
Öffentlich
Rijksmuseum Roulette

A groep of Guardsmen, Dirck Jacobsz, 1529
In the earliest known Dutch militia portrait, no fewer than seventeen men gaze at us with pride, including, at the upper right, the painter himself holding a paintbrush. The man fourth from the right in the bottom row is probably the captain. The militias were responsible for urban order, public safety and the defence of the city. This group portrait is a textbook example of bourgeois self-awareness and confidence, and typically Dutch.

On loan from the City of Amsterdam
panel, h 119.3cm × w 174.4cm
rijksmuseum.nl/en/collection/S
#rijksmuseum #musea #collection #art #mastodonart #mastoart #random

A groep of Guardsmen, Dirck Jacobsz, 1529
Öffentlich
Rijksmuseum Roulette

Man Smoking a Pipe, Gerard Dou, c. 1650
A young man leans on a window ledge, smoking a pipe and looking out at us. Dou was a master of illusionism. The open book on the sill seems to protrude from the window into our space, and the green curtain hanging from the copper rod is so realistically painted that we are tempted to draw it farther back. However, the painting’s small size gives away the deception.

Dupper Wzn. Bequest, Dordrecht
oil on panel, h 48cm × w 37cm
rijksmuseum.nl/en/collection/S
#rijksmuseum #musea #collection #art #mastodonart #mastoart #random

Man Smoking a Pipe, Gerard Dou, c. 1650
EntdeckenLive-Feeds
Über